Riding Skills: Refine Your Posting Skills

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Question Category: Riding Skills

Question: Julie,

Could you elaborate more on what you mean regarding the difference between posting “from the stirrup” and posting from the thigh? I’ve only started riding English this year (western prior). I’m enjoying improving my riding and learning these skills…however, the tendency seems to be to tell people to focus so much on the dropped heel and still lower leg, that no one tells you what NOT to do with the heel/stirrup. I’ve generally ‘got it,’ and am improving with practice, but I would love to weave this bit of knowledge into the ‘foundation’ of my learning. Thanks!

Answer: Good question! And one that I have gotten frequently—what does it mean to post correctly? It involves several things: using the lift in the horse’s back to initiate your rise, rolling onto your thighs instead of pushing on the stirrup, lengthening your lower leg as you ride and sitting all the way back down on the saddle in perfect rhythm to rise on the next beat. I’ll break these skills down just a little bit and hopefully it will help you refine your posting skills.

First, remember the horse sets the rhythm and the lift in his back as his feet come off the ground is what should thrust you up and forward in the rising portion of your post. It is a motion similar to bouncing your bottom on a trampoline and then bouncing up to your feet; as you sit down on his back, it springs you up and out of the saddle in a controlled motion. However, do not come too high out of the saddle when you are posting; keep your seat as low as possible and put as little effort as you can into posting, leaving most of the work to the horse (as he lifts you up with each stride).

As you rise into a standing position, your knees and thighs will actually roll in just a little, “hugging” your horse with your thighs, as your lower leg stretches back and your heel stretches down—your leg actually lengthens as you rise, but your knees should stay in the same spot on the saddle. The weight that was on your seat is shifted to your thighs, not the stirrup. If you push up into the post incorrectly by pushing on the stirrup, your knee straightens and stiffens and your heel comes up and your legs shortens as you rise. If you post off the stirrup instead of off your legs, your center of gravity becomes disconnected from the horse’s and your balance and security in the saddle is impaired. To perfect the correct leg position, spend lots of time posting without stirrups and riding the trot standing in the stirrups—when this becomes easy and balanced, you will be riding off your thigh not the stirrup.

As you come back down into the saddle at the end of each beat of the post, make sure you sit all the way back into the saddle, fully on your seat, so that you can spring back up again off the lift in the horse’s back. Using the horse’s timing and rhythm is a critical part of posting. If you are still getting extra bounces as you post, it is because your rhythm is slightly off and you are sitting as his back is already lifting, so you get an extra bounce. Always begin the trot sitting so that you can feel the 1-2-1-2 rhythm and begin your posting when you feel the horse lift you. Additionally, if you know your diagonals, you should always begin posting on the correct diagonal—sit a few beats, feel the correct diagonal (when your outside hip lifts is when you go up). There are some articles on my website about posting diagonals and we have done an episode of Horse Master on feeling the correct diagonal.

That’s the skinny on posting. It’s a good skill to have and just like all riding skills, you can continually refine it so that you get better and better. There are many great exercises that will help with your posting, balance and leg position in Volume 3 of my riding series, Perfect Practice. There is an arena pocket guide for the exercises as well, that will help you and your friends work through the exercises while on your horse.

Julie

Copyright ©Julie Goodnight 2000. All Rights Reserved. No part of this website may be reproduced without owner’s express consent.

Riding Skills: Natural Aids–Using Your Legs

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Question Category: Riding Skills

Question: How should I use my legs to cue my horse? I learned to ride with my reins and I know I need to know more skills–to cue my horse with my whole body.

Answer: The “natural aids” are the tools that you were born with that allow you to communicate to the horse what you want him to do while you are riding. Traditionally, there are four natural aids, the seat, the legs, the hands and the voice. If you have attended one of my clinics or seminars, you already know that I feel very strongly that the primary natural aids, the seat, legs and hands, should always be used together, in a coordinated fashion, stemming always from the use of the seat aid first. I also teach that there are actually seven natural aids, the others being your breathing, your eyes and your brain.

For riders learning to use the aids to stop and go, I teach the “gears of the seat,” neutral, forward and reverse, to ask the horse to keep doing what he is doing, move more forward or stop or slow down. Neutral gear is sitting straight up over your seat bones in a relaxed and balanced position with your center of gravity right over the horse’s. Neutral gear tells the horse to keep doing what he is doing until you tell him something different. You should ride in neutral almost all the time. To ask the horse to move forward, you inhale; shift your center slightly forward (a clear signal to the horse to move forward); at the same time allowing your arms to move forward giving a release to his mouth and your legs to fall slightly back, closing on the horse’s sides and asking him to move forward.

The aids are reversed to ask the horse to stop or slow down: exhale, shift your center of gravity slightly back, while you arms come slightly back and up, closing the front door for the horse, your legs relax on the horse’s sides. As a rider progresses, the leg aids become more articulate to control different parts of the horse’s body for turning and more refined and controlled movements. The rider’s hands control the horse from the withers forward, but the legs control the horse’s body from the withers back to his tail.

To simplify the use of the leg aids, I teach that there are three leg positions, using the terminology neutral, forward and back. The neutral leg position is when the rider’s leg hangs straight down, close to the horse’s sides, in the balanced position with ear-shoulder-hip and heel in alignment. Light pressure on the horse’s side from the neutral leg position will cause the horse to move his rib cage away from the pressure. This would be useful when asking the horse to arc his body and bend in a circle, as the rib cage moves out, the shoulder and hip bend into the circle. The forward leg position is applied by reaching toward the girth with your calf. I find it easiest to apply forward leg cues by twisting my lower leg and allowing my heel to come toward the girth or cinch.

Pressure from one leg at the forward position will move the horse’s shoulder away from the pressure or ask him to bend in the shoulder. When horses turn, they prefer to lean into the turn like a bicycle, thus dropping the shoulder and lurching onto the forehand. Light pressure with the forward leg position will ask the horse to keep his shoulder up and bend properly in the turn.

The back leg aid is applied when the rider’s leg shifts back a few inches behind the neutral position and it will ask the horse to move his hip away from the pressure. Again, this leg aid might be used in turning and bending the horse, to keep his hip in toward the center of the circle in order to be properly bent. Good hip control is also important for leads and lead changes and more advanced movements such as leg yielding (two-tracking) or side passing.

Leg aids work together but the rider might be using each leg in a separate position. For instance, if you are using the forward leg position with your inside leg to achieve an arcing turn, your outside leg would be in the back position to also keep the horse’s hip in place.
An ancient saying in horsemanship is that the inside leg gives impulsion and the outside leg gives direction. In other words, the inside leg is the gas pedal and the outside leg is the steering wheel. To control the horse’s entire body, the rider must be able to control the horse’s nose, the shoulder, the barrel and the hip. While the hands control the nose of the horse, the leg and rein aids work together to control the shoulder, barrel and hip.

Experiment with applying a light pulsating pressure with one leg in either the forward, neutral or back positions and feel how the horse will yield that part of his body to the pressure.

Copyright ©Julie Goodnight 2000. All Rights Reserved. No part of this website may be reproduced without owner’s express consent.