Forehand Turn

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To hone your basic gate-opening skills (see “Open a Gate,” Horsemanship & Maneuvers, The Trail Rider, January/February ’10), master a turn on the forehand. In this maneuver, your horse obediently and slowly swings his hips and back legs around his anchored front legs, moving in a complete circle.
Turning on the forehand is crucial as you ask your horse to pivot around the end of the gate while you work the gate’s latch.
Note that it’s a common misconception that you should practice sidepassing before opening a gate. Sidepassing shouldn’t be part of the gate-opening process unless you need to sidepass toward the gate instead of walking up alongside it before you start the opening procedure. In reality, you’ll master the gate when you and your horse know how to turn on the forehand.

Step-by-Step Technique
Here’s how to teach your horse to turn on the forehand. (First, tack up your horse, and head to an enclosed work area with good footing. Then warm him up for at least 20 minutes so he’s mentally and physically prepared for the exercise.)
Step 1. Block forward motion. Halt your horse, then “close the front door” to forward movement. To do so, apply rein pressure, and sit up tall so you don’t’ inadvertently prompt him to go forward or back with a seat or weight shift.
Step 2. Move his hips over. Start by moving your horse’s hips to the right. Reach back with your left leg, and apply pulsating leg pressure just behind the cinch/girth. At the same time, lift up, in, and back with your left rein while keeping your right rein close to your horse’s neck. Your leg and rein aids tell him that the only open door is to the right, not forward, back, or to the left. You’re blocking both forward and sideways movement.
Step 3. Release and repeat. As soon as your horse takes a step over with his hip, release the cue, and repeat Steps 1 and 2 to ask for another step. Maintain rein contact to keep his shoulders and front end in place.
Step 4. Reverse direction. When your horse learns to take one step to the right, reverse the cues and ask for one step to the left. Practice the one-step/release procedure to the left several times, then the one step/release procedure to the right the same number of times. Then reward your horse by ending the session, and giving him rubs and praise. Always end a training session on a good note.
Step 5. Ask for more steps. When your horse readily takes one step to the right and left in response to your cues, request more than one step before releasing your cues. Work up to a quarter turn and ultimately a full circle. To make sure he isn’t inching forward, align his body with an arena marker so you’ll have a visual aid.

Other Applications
The turn on the forehand is a great skill to have on the trail, whether or not you’re working a gate. Practicing the maneuver will help you control your horse’s every step, which will help you negotiate around obstacles in tight places.
You’ll also become more aware of how your well your horse can feel your subtle posture changes. Just by changing the location of your leg pressure and shifting your weight, you’re telling your horse which legs to move, how much, and when. That’s true horsemanship: You’re learning a classic skill that will help you better communicate with your horse.

About Face

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Dear Julie,
My Rocky Mountain/Arabian horse cross is five months old—I’ve had him for two months. He is calm and usually well behaved. However, he’s starting a new and scary behavior. He turns his rump to me when he’s in the paddock or when I enter his stall as he eats. Today he kicked at the man who owns the barn where I board. Please help—how do I stop him from doing this? I don’t want a horse that kicks.
Kicked Out

Dear Kicked Out,
Yep, it sounds like you have a problem. What your horse is saying to you and anyone else that enters his stall is, “This is my space and you are not welcome here.” Turning his rear-end toward you is a threat to kick. It sounds like a threat he is perfectly willing to make good on.

This behavior is an indication that your horse does not respect you as his leader. In the horse herd (you and your horse are a herd of two) you are either leader or follower. Horses establish dominance in the herd by controlling the space and the resources of the other herd members. When you walk into a stall (the horse’s personal space) and he is eating (food is a primary resource to the herd) it’s normal for the horse to defend his space and food. Therefore, clearly your horse feels like he is in the dominant (leader) position over you.

Every time your horse is successful in pushing you away, it’s confirmation to him that he is in charge and you are a subordinate herd mate. The kind of relationship you need to have with your horse is that you are the herd leader and he is the follower (subordinate to you). To develop this kind of relationship, you will need to do lots of quality ground work during which you control your horse’s space and actions. When doing ground work, it’s important to ask your horse to turn towards you. With a rope halter and long lead line in hand, you’ll have the tools to correct his movements if he angles his hindquarters close to you. Leading your young horse, in general, will help him realize you’re in charge and he is to follow. As you work, make sure he doesn’t enter your space. For more tips and step-by-step directions, consider checking out a ground work DVD or attending a horse handling clinic. You can find my groundwork DVDs at www.juliegoodnight.com.

In the meantime, enter the horse’s stall with a lariat or long rope (or use your horse’s halter with a lead rope attached). Once the horse turns his rump to you, just start throwing the rope toward his rear-end and reel it back in (do not approach the horse at all). Toss the rope continuously at his rear end—not viciously but persistently—until he turns around to face you. The instant he turns to face you, turn away and walk out of the stall. Wait a couple minutes then start over. By throwing the rope at him, you’ll irritate him until he does the correct thing (turns and faces you). If you don’t feel comfortable with the process, ask an experienced horse person or trainer to help you.

Remember, it’s quite likely, even expected that the horse will kick at you (he has already proven that he’s willing to do that). So it’s your job to stay well out of the horse’s kick range. Sometimes this can be hard to do in a stall. That’s why I like to use a 12′ training lead for ground work. The reason you are using a rope is so that you can stay well out of the horse’s kick zone. Unless you are totally confident in your ability to stay clear, have someone more experienced help you with this. This little trick will teach your horse that it’s polite and expected of him to turn and face you when you enter his stall.

Good luck and be careful not to get kicked!

Until next time,

Julie Goodnight
www.juliegoodnight.com

Riding Skills: Connecting And Coordinating The Natural Aids

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Question Category: Riding Skills

Question: How do you teach riders to use all the natural aids together–leg and rein aids?

Answer: The natural aids are the best tools the rider has to communicate with the horse. Traditionally, there are four natural aids, the seat (weight), the legs, the hands and the voice of the rider. I prefer to teach seven natural aids, which in addition to the traditional four aids includes the rider’s eyes, the rider’s breathing and the rider’s brain. When all of these aids are used together, it gives a clear and consistent communication to the horse of what you want him to do and sets your body up to naturally give the correct cue. All of the natural aids should be used in unison and should always originate, or be connected to, the use of the seat. No one aid gives a cue to the horse (you do not stop by pulling on the reins or go by kicking), but all the aids working together will guide the horse toward the appropriate response.

For instance, asking the horse to stop or slow down is not simply a matter of pulling back on the reins. To ask the horse to stop using all of the aids in a connected fashion, first the rider must drop her weight onto the horse’s back by opening and relaxing the pelvis and plugging her seatbones into the saddle. As the seat of the rider drops down on the horse’s back, a connection is made between the rider’s elbows and hip, thus the shift of the rider’s weight and opening of the rider’s pelvis will cause an increase on the pressure of the horse’s mouth through the rider’s arms, hands and reins. In other words, the pressure the horse feels on his mouth is connected to the increased weight on his back and the pull comes from the rider’s entire body, not just from the hands.

You can see how this feels by sitting in a chair pulled up to a table. With both feet flat on the floor and sitting up straight, put both hands on the edge of the table. As you exhale and rotate the seatbones forward (opening the pelvis and plugging the seatbones into the chair), pull on the edge of the table so that your seatbones get even heavier on the chair. This is how you cue the horse for a stop or to slow down by using your weight aid first. You should feel a connection from your arms to your seat bones, as they press into the chair. If your seat bones lighten and your upper body moves forward when you pull back on the reins, your aids are not connected. Practice this exercise until you feel the connection between your seat and hands, and then try to feel the connection on a horse.

To use all of the aids in a connected fashion to ask the horse to turn, the rider must first look in the direction of the turn and use her eyes and body to initiate the turn. As the rider’s head turns slightly in the direction of the turn, the body will follow, swiveling slightly in the saddle and shifting the rider’s weight to her outside seat bone. Again, the legs and hands will follow the movement of the rider’s seat and not act independently. The outside leg will sink down and close on the horse’s side, shutting the door to the outside. Conversely, the rider’s inside leg will lift up slightly as the inside seatbone lightens, opening the door to the inside and keeping the horse’s inside shoulder elevated in an arcing turn. As the seat swivels slightly on the horse’s back, the elbows, arms and shoulders of the rider will follow (make sure your upper arms are in contact with your ribcage), giving a release with the outside rein and increased pressure to the inside rein, thus supporting the horse’s head, neck and shoulders in the turn.

Using your whole body to communicate with the horse and having all of the aids give the same signal to the horse, is a very effective way to communicate with the horse and results in invisible cues and seamless transitions.

Copyright ©Julie Goodnight 2000. All Rights Reserved. No part of this website may be reproduced without owner’s express consent.

Overcoming Fear: How To Be In Control And Feel Safe

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Question: Hi Julie,

I am a beginning rider, and have been taking lessons twice a week for about three months now. I have wanted to learn to ride since I was a little girl so this is a dream come true for me (I am 37 now). Initially I was very nervous approaching the horses, but more frequent visits have helped. I’m no longer afraid to get on the horse, but after we’ve walked around the ring a couple of times the horse will start testing me (either that or I’m not giving good cues but she parks at the barn and sidesteps across the ring). I end up yanking on the reins to get her back on track. Then I get tense and the whole thing makes me frustrated and I want to give up. I don’t want to jerk the horse around by the mouth to teach her who is boss but I can’t make her do what I want if I don’t. She is a 9-year old mare and an experienced trail horse. I want to move to faster gaits, but I can’t even get her to trot around in a circle. The men I ride with are naturals and don’t understand why I can’t just get on and ride. I can’t just “get on and ride” because I know I can’t control the horse and that makes me very anxious. I know if I could gain confidence through experience I could relax because then I would feel safer, but I can’t do that if I have to fight the horse every time. I wrote to you because I have read many of the articles on your web site and I think you are brilliant. I hope you can help me realize my dream of cantering across a field unafraid. Thank you so much.

Rachel

Answer: Rachel,

You have a lot of different issues in your question and they are all very common issues that beginners everywhere are dealing with. I will attach another Q&A that I just wrote along the same lines (Gate Gravity), which may help you with your issues of control.

Without fail, the biggest mistakes I see people make when having control issues with a horse is two things that come instinctively to the rider but are the worst things you could do for the horse and only exacerbates the problem.

The mistakes are:
1. Pulling back with both reins at the same time,
2. Turning the horse in the direction he wants to go and then circling him back.

When the rider feels like she is losing control of the horse, she instinctively pulls back with both reins, sometimes with a turning motion. When the horse feels that much pressure on his mouth, he locks up, leans into the bit and generally does the opposite of what you want– if you want him to slow down, he speeds up, if you want him to turn right, he turns left. It is known as “running through the bridle” or “running through the shoulder” and are common responses of the horse when he feels steady and unrelenting pressure on both sides of his mouth at the same time. This horse becomes very defensive of his mouth and sticks his nose out and begins to feel to the rider like he has a steel pipe down the middle of his neck.

Sadly, this horse is often labeled “hard mouthed,” like it is his fault. In my opinion there is no such thing as a hard mouthed horse and I have never yet found a horse that could not be rehabilitated to become a very light and responsive horse, and we get a lot of these horses in training. Also, I have seen many school horses learn that all they need to do is get the rider riled up emotionally so she freezes up with both reins and then the horse knows he can have his way with the rider and go where he wants. When you lock up into a tug o’ war with the horse, he will always win because it becomes a pound-for-pound race.

Always try to use your reins one at a time and in rhythm with the horse, in a pulsating or dynamic fashion, not a static white-knuckle pull; always be quick to offer the release. Learn to ride through problems, not lock up on the reins. Your horse mirrors your emotions so when you feel frustrated, you horse is feeling the same thing. Try to keep your emotions in check. Some horses learn that all they have to do is challenge you a little so that you get emotional and lock up and then they know they can do anything they want.

When turning right, first slide your hand down the right rein, then slowly pick up on the rein toward your chest, releasing with the opposite rein. The slower you move your hands, the softer the horse will become. The outside rein should be totally slack– do not try to turn with that rein too, because as soon as you start pulling with both reins, the horse stiffens and you lock up. Keep the horse moving forward in the turn by reaching forward with your hands and closing both your legs on the horse’s barrel in a pulsating fashion. Don’t pull BACK on the rein to turn, that will interfere with his forward motion; gently lift the rein up or to the side.

The second problem is that when the horse becomes nappy and will not turn in the direction you are asking, most riders will give up before the horse does and turn the horse the other way, planning to circle back around to that spot you wanted to go to begin with. Although it often works long enough for you to get the horse positioned where you wanted him to begin with, you have just trained your horse to be disobedient by letting him turn the way he wanted to go and he most certainly will do it again. In the horse’s mind, he only knows he got to turn the way he wanted; he will not make the association of having to go back to where you wanted because too much time has elapsed in his brain. He was rewarded for refusing the rider.

The other problem you mention is with confidence on your part, which exacerbates the control problems that you have with your horse. This is a huge issue and I guarantee there are thousands of people out there that know exactly how you feel. There is an article on my website on dealing with fear that should be helpful for anyone. There is also a book coming out soon called “Ride with Confidence!” in which I am one of five contributing authors. The book is being published in England and should be out this fall and I think it is going to be a good one. I’ll be sure to publish it in my newsletter when the book is available.

One of the most important components when dealing with fear is to surround yourself with understanding, empathetic and supportive people that can help you reach your goals. Also, you should pick the company that you ride with carefully. If you do, you’ll gain confidence more quickly, with more good experiences. I hope you can find a riding instructor or friend to help you work through this control problem. Read through all my Q&As because you’ll probably find other issues that relate to the problems you are having. Don’t worry, you’ll get there, just be persistent.

Julie Goodnight, Clinician and Trainer

Copyright ©Julie Goodnight 2000. All Rights Reserved. No part of this website may be reproduced without owner’s express consent.